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Mastering in Logic Pro X : The Basics |
Logic pro x mixing and mastering free download
Logic pro x mixing and mastering free download. Mastering with Logic Pro X: Improve your Sound with Step-by-step Guide
Applying compression to the mix can help tighten up the dynamics of your track, allowing you to employ more limiting to bring up the loudness in your mix. Multi band compressors are exactly what they sound like, compressors that operate in several bands, split across the frequency spectrum.
Whilst traditional compressors apply compressors across the entire frequency range, multi band compressors allow you to isolate particular areas of the range that are particularly dynamic. For example, you might have an overly dynamic mid-range, where guitars, vocals, and keys are all fighting for the same space, and as they come together, they make the mid-range honky, nasal, and fatiguing.
The Multipressor has 4 bands, which you can tweak as desired by dragging the lines that designate the band boundaries.
This is because we have an overly dynamic low end, where certain bass notes, when combined with the kick drum, are pushing through louder than others. As with a regular compressor, you have access to controls such as ratio, threshold, attack and release, to fine-tune the compression to your needs.
You also have the ability to solo or bypass a band, so you can hear it in isolation and listen to the applied compression. At the top of the GUI, you will see a blue band moving as the compressor works. This demonstrates the gain reduction applied by the compressor. The first thing we are going to do is set the Output Ceiling to This gives us a little bit of a safety net.
When it comes to digital audio, overloads are something you want to avoid like the plague. Whereas analog gear can overload and create a subtle distortion that is often desirable, digital distortion sounds like fingernails on a chalkboard. Or rubbing polystyrene together. Or a poorly played violin.
Or, a polystyrene violin scraping across a chalkboard. We do this because although plugins are extremely quick, they are never infinitely quick. Even computers need time to process. So, to be extra safe from overloads, give yourself a little safety net.
This basically filters out anything below 20Hz, which is below our hearing range anyway, and prevents anything weird from happening to your speakers. This is an important part of mastering, as you need to be able to determine whether your limiting is creating any negative artefacts such as distortion or over-compression. Now, turn up the gain until your loudness matches the notes you made when you compared your references and your mix.
When you mixed your track, you worked in the stereo field using pan, panning instruments left and right and creating space for each of them. Well, you can play in this field in mastering too, using stereo widening tools. Remember how we said mastering engineers stripped off their lab coats in the 80s and became part of the creative team?
Some highlights from this 2-part tutorial: Multiband sidechaining Metering for a visual reference Mid-side EQ EQ Compression Maximizing low end Transient shaping Fab Filter Pro-Q 3 techniques Skye then discusses working with logic controls and controls for the master output. Finally, Skye covers mastering techniques, including compression, and limiting; setting the song order; dosing affecting sound quality.
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